Let the Majlis be a Majlis

The majlis has historically been associated with governance, community, hospitality, and negotiation in the Arab world. In the last few years, it has also become an aesthetic object exhibited at biennials and museums. But what happens when a social form becomes a spectacle? What does it mean when a space deemed private is put on display?

Thus Spoke Jaden Smith

The new creative director of Christian Louboutin paints the town red

Tawsen is Just a Chill Guy

After seven years, two labels, and one imposed silence, Moroccan artist Tawsen releases his debut comeback album Chokran, not with a grudge, but with gratitude

Take Me Back To Monaco: Hôtel de Paris Monte-Carlo

Ali Kazim and Zarina Beckon Us Into Their Urdu Worlds

The UAE’s inaugural exhibition dedicated to the Urdu language, curated by Hammad Nasar

Nearly a Century Later, The Jaeger-LeCoultre Reverso is Still Making the Case

Jaeger-LeCoultre Expands the Reverso Legacy with Elegant Precision

Ahmed Emad and the Path of Desire

A desire path is an unofficial route formed when people choose the shortest, most instinctive way between two points, favouring lived experience over prescribed design. It is a path made by repetition, conviction, and quiet resistance. Based between Abu Dhabi and Sharjah, Ahmed Emad’s journey follows a similar logic. A Civil and Environmental Engineering graduate, former museum educator at Louvre Abu Dhabi, he is currently the Public Programming Specialist at the highly anticipated Guggenheim Abu Dhabi

Please Mind the Gap: Amine Habki’s Tender Epics of Desire

Paris-based artist Amine Habki works between painting, drawing, and embroidery, building scenes where ordinary moments slip into something surreal, and quietly charged