SOFT POWER: Hawazin Alotaibi’s Pink Rebellion

Through a playful palette of pinks and pastels, the Saudi artist reimagines Khaleeji masculinity, challenging the conventions of gender, power and self-image with an unexpected softness

HinDidi: When Bollywood Invited Algeria to Dance 

In the aftermath of independence, Bollywood offered Algeria something revolution could not: the freedom to dream, to love, and to imagine a life beyond struggle. Decades later, one Indian film, Janitou, remains a tender relic of a future that never quite arrived

Notes on Lebanese Frenchies and the In Vitro Diaspora

Francophilia has long been a part of Lebanon’s complex sociopolitical fabric. The Frenchies of the country detach themselves from their environment and enjoy a bourgeois French-centric mode of existence. In the wake of ongoing national crises, members of the francophone middle class are becoming increasingly critical of their upbringing and aim to re-appropriate a certain sense of Lebaneseness

What It Takes to Be Mister Lebanon

As opportunities shrink in Lebanon, contestants are pouring increasing amounts of time, money and effort into the country’s most famous male beauty pageant, and the possibilities it might unlock

Eurovision, Samira Said, and Morocco’s Unreceived Love Letter

Revisiting Morocco’s choice to perform at Eurovision in 1980, the first and last Arab country to do so, reveals a complex web of forces at play in our history, and a legacy that stands in evidence of a confused national identity, much less healed from colonial violation than it purports to be

Okay, but who’s actually buying these Saddam Hussein watches? And why?

On the strange afterlife of Saddam Hussein watches and what their thriving resale trade says about nostalgia, myth-making, and a region's unresolved relationship with its strongmen

Worlds of Their Own Making

The emerging cohort of designers transforming raw material into a living temperament

Ugliness Looks Back

From a 1960s Iranian leper colony to Kim Kardashian's surgeon, tracing how "ugly" became a diagnosis to be cured rather than a way of being seen